Anda, Diana" transforms the body into an instrument of revolution, challenging norms, confronting prejudices and ideas through the creation of new standards of aesthetic values. "Anda, Diana" compels us to question what lies beyond dance, beyond the body, just as poetry, relying on an exercise of bending the meaning of words, forces us to question what lies beyond language.

In "Anda, Diana", dancer and acrobat Diana Niepce portrays the reconstruction of her "self" following a fall (which resulted in a spinal cord injury), in an honest dialogue between body and mind, between logic and chaos, until she constructs the dancing body. In this piece, she aims to challenge what is considered the norm, confronting societal prejudices and ideas about body aesthetics. Here, disability, though present, does not position itself as a victim of the system. Instead, this body outside the norm positions itself as revolutionary.