From a body spanning various times and based on the movements of Kuduro, Gio Lourenço constructs a biographical itinerary where the body becomes an allegory of memory. Kuduro emerged in the 1990s in Luanda, amidst a civil war. The specific codes of this music/dance style reached Portugal through the bodies and cassette tapes (K7s) of those transitioning between these two countries. In adolescence, in the late 1990s, already living in Portugal, Gio Lourenço came into contact with this universe and became a kudurista, discovering a fractured body – his own – where memory reinvents itself in gesture. "Boca Fala Tropa" proposes an artistic territory displaced from a specific geography – the transit between Angola and Portugal – starting from the steps and codes of Kuduro to intersect elements of individual memory, and its inevitable fictions, with elements of collective memory. "Boca Fala Tropa" was considered one of the best shows of 2022 by journalist Claudia Galhós in the newspaper Expresso.